Wednesday, April 29, 2020

Multani.. Moolsthani



If I had to choose one raag to represent North-Indian classical music that could be labeled as grandiose and truly represents "big raag league" , I would name Raag Multani. The longing, the dry summer of Multan (North India,now part of Pakistan) and the scorching heat of late afternoon, bringing out the soft side of  human heart, the wait for the twilight breeze, the surrender through musical notes that pours out a "Karun ras" is what Multaani represents.
For the seekers (mumukshu) Multani brightens the path. For the philosophers it illuminates the thought. For the audience and performers, it opens minds showering the eternal happiness and hope, "Sat-Chit-Anand"(सत-चित-आनंद ) . A true  entertainment to mind and soul.  रञ्जयति इति रागः
Multani is close to my heart.It has the power to touch minds and souls instantly in its rendering, taking the listener to deep thinking, the true strength of Hindustani Classical Music in real sense. Multani has done the magic on me many a times and has brought me in touch with my inner self. Most connoisseurs have experienced the intense power of Multani,eliciting various "Bhaav and Ras" from Bhakti - Love - Separation-Longing- Karuna- Surrender to deep thought, reflexively turning their eyes wet (including yours truly) !!

Here is a starter by Kumar Mardur to get the Multani party started ! Shear power and intensity of Multani demonstrated by a talented vocalist.


The notes of Todi and Multani are same in terms of theory hence it is part of Thaat Todi, but Multani is no way near Todi in rendering. The Rishabh and Dhaivat in avaroha (descend), that is sharper, the attack on Rishabh is also from the sharper side of Gandhar. This also gives a "aabhas" of sharper Madhyam is what makes this raag unique. It is believed that Multani is a raag that can be learned only through "Guru-mukh" .. in truly aural tradition. It cannot really be "taught", it has to be "learned" by the disciple. Hence, in my view, rendering of Multani demonstrates the real character and talent of a disciple. 
Vocalists from Kirana gharana, perform it as their trade mark. Patiala gharana Multani is something that connoisseurs long for, especially from a veteran vocalists. The bandishes of Multani are truly classical, they are NO songs for consumption of "popular" music. Philosophy and deep thought flows through each of these classic bandishes be it of Bhakti ras, Virah or romance.
Sawai Gandharva Music festival of Pune typically starts around 3pm every day during December. One gets to hear lots of Multanis and Bhimpalases by young upcoming artists, as they open the day's concert every day for 5 days of festival. I have heard many such live Multanis but the one live Multani rendition I treasure the most is that of Ut Mubarak Ali Khan of Kirana gharana along with this shagird Arshad Ali on Sunday, Jan 4th , 2015. A thing that I can say about that performance is that, it had that truly classical feel of listening to Ut Bade Gulam Ali Khan saheb, Ut Amir Khan Saheb mixed with the classical Kirana style of badhat with each note. A mix of Patiala, Indore and Kirana in one of the divine mix. Unfortunately I do not have this recording but here is my blog post from that day !

My playlist of Multani on youtube is huge. Here is the link to it...  Posting some of my favorite renderings from the Multani playlist for this "Multani Party"
First , my favorite young upcoming classical vocalist ,Kumar Mardur Sings "Nainan mein aan baan" , a classic Kirana Gharana bandish
नैनन में आनबान,कौन सी परी रे
निसदिन सोवत पलक न खोलत
जब देखो मुख श्याम सी पारी रे


Kaushiki sings Multani in the tradition of Patiala-Kasur
कवन देस गये 

दूरगा के संग रितु मानी रे
और न जानू अब लुग गई
प्रीत कदर ना जानी रे

Indrani Mukherjee sings Multani in a Kirana-Rampur Sahaswan style
 
Sanhita Nandi gives an intense rendering set to Jhumra taal ,in a style that has mix of Indore and Kirana style


Anuradha Kuber Sings Multani in Bhendi Bazar Gharana style
तुम बिन मानत नाही जियरा मोरा

नैना नीर झरत
दरस की आस कासे कहूँ अब

 
Pt Ajay Chakravarti sings Multani in truly Patiala-Kasur style
जीवन नैय्या डोले

  
Pt Venkatesh Kumar sings Multani in a Kirana+Gwaliar+Patiala style
सुन्दर सुरजनवा साईं रे
निसदिन तुम्हारो ध्यान धरत है
आन मिलो रब साईं रे

Veena Sahastrabuddhe , traditional Multani bandishes in Gwaliar style
गोकुल गाँव का छोरा
नैनन  में आनबान
     
Ut Amir Khan saheb sings Multani in Jhumra taal

हे सुरजनवा
बलमा मोरे तुमसो लागली प्रीत
  
Pt Jayteerth Mevundi sings traditional bandishes of Kirana Gharana

गोकुल गाँव का छोरा
कंगन मुन्दरिया मोरी
नैनन में आनबान

Pt Prabhakar Karekar sings Multani Agra Style
तुम बिन मनात नाही जियरा मोरा
कौन देस गवन किन्हो चीत जाये बसे



Ut Bade Gulam Ali Khan saheb sings his trade mark Multani
( old recording hence poor recording quality is regretted but still one can experience those sparks of brilliance )
कवन देस गये 

दूर गा के संग रितु मानी रे
और जन दुर्जन लोग बसत है
सुन री मोरी आली 
और न जानू अब लुग गई
प्रीत कदर ना जानी रे
इतनी अरज मोरी उन से कहियो
तू दुर्गा मैं दुर्गानी रे 
  
Kaushiki , the darling of Patiala gharana sings the classic patiala bandishes along with the traditional bandishes in Multani   .. दुर्गा के संग ..  ( one of my favorites )


One of the Multanis from playlist is of Ut Mashkor Ali Khan recorded in a private mehfil in California.  


Again here is a link to my youtube playlist for Raag Multani ..

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Note about Multan,Pakistan: The Moolasthana (Multan) is now in Pakistan and has been famous since ages,for Saints and Shrines. The Aditya Surya Temple was one of the four Sun Temples build by Hindu King in 7th Century, was repeatedly attacked by Muslims and then rebuilt by Hindus for nearly 500 years. It finally lost its original identity when the Ismaili ruler replaced the Sun Temple with a mosque.